One could imagine the same thing happening with corsages: a burst of candy-colored flowers, either topping an already sweet outfit or making a darker, harder ensemble a little more sweet. In the last few years, opera gloves have returned to the runways in a major way, as an elegant accessory sometimes worn ironically and sometimes not. Perhaps Thom Browne can help change that. They have been a staple of homecoming and prom dances from the 1950s to … well, now, even if they aren’t as popular today as in the past. What could possibly make a look with that much going on - it included a netted face mask, polka-dot socks, saddle shoes and a little leather bag - complete?įor Browne, the answer was obvious: a plastic wrist corsage. This look was repeated about 20 times in the first part of Thom Browne’s show on Monday afternoon in Paris. The corsage was the icing on the cake - if the cake were a boulder-size silk taffeta opera coat, decorated with varsity letters on the back and explosive ruffles in the front, all done up in pretty pastels. It’s this moment and not another moment.” You have one chance and you have to get it right,” Ghesquière said. “Sometimes people don’t realize the fashion show is such a live event. Also read | Spirit of Virgil Abloh lives on at Louis Vuitton in Paris
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